The Road to Diamond, Day 287, Part II: Interposed

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September 10,2025, Reykjavik- One one side of Laugarnes Recreation Area, the last remaining natural preserve on the north side of Reykjavik’s bay, there is a large collection of items that would not look out of place in Corner Brook’s Rock Art Wall or any number of back yard “personal treasure” collections around the world, from Spain to Vancouver Island and from Nigeria to the Philippines-or so stories claim. It is the Recycled House.

A scant 100 yards away is the Museum of Soren West and Sigurjon Olafsson, featuring the works of two intrepid artists of the mid-Twentieth Century- workers in stone and metal (West); stone and wood (Olafsson). Olafsson worked for a time with the Danish Resistance to Nazi occupation. Homesick for his wife, he returned to his native south Iceland and was an invaluable source of information to the British and American forces who kept the island safe from the Axis Powers. West has been focused solely on the promulgation of sculpture, having grown up in Denmark, in a relatively more peaceful time. He has been an intensely influential figure in teaching the medium, especially on his home island of Fyn.

The two very different museums co-exist with one another and are careful not to overlap one another’s collections onto the other’s property. Here are a few scenes of each. I first went around the grounds of the Recycled House.

No one gets past him! Note that the lith, overlooking the Bay and this “watchman” are perfectly aligned, as to the western border of the property.
Continued alignments
These “backyard guardians” of the Olafsson Museum show the same sense of order.
We now come to the several decorated rocks and other collected items that dot the landscape of Recycled House.
The demarcation line.
It’s amazing what one can do with cast-off metal.
Nothing gets tossed out here.

Here is the house itself:

There is even an “observation Chair”.
Many are the watchmen!
Hrafn Gunnlaugsson lives in this house. He was the director of “The Raven Flies” and other films about Viking life in his native Iceland.

Now let us turn to the pieces in the more conventional museum.

If this figure looks like he's thinking, it's because Sigurjon Olafsson probably WAS deep in thought, while crafting it.
If this figure looks like he’s thinking, it’s because Sigurjon Olafsson probably WAS deep in thought, while crafting it.
Here’s a piece by Soren West,showing a whale spouting, or at least that’s how I interpret it. Soren West just calls it “Skulptur”.
Here are two wooden pieces, one mahogany and the other, fir. Both represent balance.

By now, I was getting exhausted. I had walked as far as the small ferry terminal, which sends boats to the islet of Videy, across the short channel, while waiting for the Olafsson Museum to open.

Here, then, are a few more scenes of the afternoon.

A view of the “Visitor Center” at Videy, (Vih-DAY), using a Zoom lens from the opposite shore. Even if I had wanted to squeeze in a short ferry ride, the captain was done for the day. This was as close as I was going to get. The mountain in the background is Esja(EsYA), also across a channel from Videy.

I did squeeze in a Volcano Express, virtual reality ride, at Harpa Performance Center. Here is a look at the Center. The ride? Trust me, there was a “whole lotta shakin’ goin’ on”, and we were all strapped in.

Harpa Performance Center, Reykjavik

My overall image of Reykjavik and its residents is summed up by this master work of a graffiti artist who immigrated here about five years ago.

Icelanders, old and new, are thriving by learning to live with the volatile nature of their island home, and putting it to use. (Thermal energy heats homes and purifies water).

The Road to Diamond, Day 287: Adjustments

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September 10, 2025, Reykjavik- There was no trip to Akureyri, in northern Iceland. The taxi which was to pick me up at 8:15, and bring me to the bus terminal, was stuck in a traffic jam on the east side of town. Yes, even little Reykjavik has rush hours. The road system built during World War II has yet to upgrade and adjust to the doubling of the number of drivers in the Metro Area. There are now 249,000 people, in the Capital Region of Iceland, 138,000 of whom live within “Reyk”‘s city limits.

So, the flustered taxi driver showed up at 9:06. By then, the bus had left for Akureyri. The next one would have put me there at-11:45 p.m. I called and let them know I would not be coming. The energy is more for me to stay in the Capital Area-Reykjavik and Keflavik, on this visit. If this is the only change in plans during this journey, I will be fortunate. I then asked him to go to HI Loft, a hostel near downtown.

It was a lovely morning, with a break in the rain, and fair skies, in fact. I left my bags at HI Loft and headed to the waterfront. Reykjavik’s Baywalk covers areas east and west along the sea front. I walked as far as the ferry stop that takes people to Videy, a small islet between east Reykjavik and Esja, the capital’s “Neighbourhood Mountain”. While Esja itself is enticing, it is a focus for another time. There was much to captivate me along the Baywalk.

Here are some scenes from the downtown waterfront and the Laugarnes recreation area, in northeast Reyk. I started out at a government office building, just west of the park which honours Reykjavik’s founder.

National Government Office Building, downtown Reykjavik.

Random sculptures appear around town. This one is an abstract of a milk maid, near a very old Kaffehus. I stopped in there and got a cup of green tea, to counter a heavy dose of acidic foods and drinks, these past few days.

This is Ingolfr Arnarson, who led the first settlers in Reykjavik, in 874. He named the place (Reykjavik means “smoke cove”, in Old Norse), as the smoke from distant volcanoes was visible as the party approached. A dragon and the Norse god Odinn are included in the sculpture.

Reykjavik is, understandably, a major draw for cruise ships. Here is one that is given the old name for northern Norway’s Svalbard: Spitsbergen. Longyearbyen is that territory’s capital and only port. It is a name that befits both places.

Cruise ship, “Spitsbergen”, in Reykjavik Harbour

Sculptures continued to be placed, along the Baywalk. Here is one that replicates Solfario, a model of a Viking ship.

Yes, there was a bus parked here this morning. The scene was different in mid-afternoon.
Solfario, on a cloudy mid-afternoon in Reykjavik Harbor.

In between these two visits to Solfario (Sun Voyager), I spent time at two very different neighbouring properties: Recycled House and a small sculpture museum that celebrates the work of Sigurjon (Sih-GUR-yon) Olafsson and Soren West (pronounced Vest). I will discuss these attractions, and the sliver of trail that takes one to Videy ferry terminal, in the next post.