Tag Archives: sculpture with stone

The Road to Diamond, Day 287, Part II: Interposed

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Posted by on in Assistance, collaborating, Community, impediments, Inspiration, Personal Values, service, Social, Spiritual, Striving, Travel

September 10,2025, Reykjavik- One one side of Laugarnes Recreation Area, the last remaining natural preserve on the north side of Reykjavik’s bay, there is a large collection of items that would not look out of place in Corner Brook’s Rock Art Wall or any number of back yard “personal treasure” collections around the world, from Spain to Vancouver Island and from Nigeria to the Philippines-or so stories claim. It is the Recycled House.

A scant 100 yards away is the Museum of Soren West and Sigurjon Olafsson, featuring the works of two intrepid artists of the mid-Twentieth Century- workers in stone and metal (West); stone and wood (Olafsson). Olafsson worked for a time with the Danish Resistance to Nazi occupation. Homesick for his wife, he returned to his native south Iceland and was an invaluable source of information to the British and American forces who kept the island safe from the Axis Powers. West has been focused solely on the promulgation of sculpture, having grown up in Denmark, in a relatively more peaceful time. He has been an intensely influential figure in teaching the medium, especially on his home island of Fyn.

The two very different museums co-exist with one another and are careful not to overlap one another’s collections onto the other’s property. Here are a few scenes of each. I first went around the grounds of the Recycled House.

No one gets past him! Note that the lith, overlooking the Bay and this “watchman” are perfectly aligned, as to the western border of the property.
Continued alignments
These “backyard guardians” of the Olafsson Museum show the same sense of order.
We now come to the several decorated rocks and other collected items that dot the landscape of Recycled House.
The demarcation line.
It’s amazing what one can do with cast-off metal.
Nothing gets tossed out here.

Here is the house itself:

There is even an “observation Chair”.
Many are the watchmen!
Hrafn Gunnlaugsson lives in this house. He was the director of “The Raven Flies” and other films about Viking life in his native Iceland.

Now let us turn to the pieces in the more conventional museum.

If this figure looks like he's thinking, it's because Sigurjon Olafsson probably WAS deep in thought, while crafting it.
If this figure looks like he’s thinking, it’s because Sigurjon Olafsson probably WAS deep in thought, while crafting it.
Here’s a piece by Soren West,showing a whale spouting, or at least that’s how I interpret it. Soren West just calls it “Skulptur”.
Here are two wooden pieces, one mahogany and the other, fir. Both represent balance.

By now, I was getting exhausted. I had walked as far as the small ferry terminal, which sends boats to the islet of Videy, across the short channel, while waiting for the Olafsson Museum to open.

Here, then, are a few more scenes of the afternoon.

A view of the “Visitor Center” at Videy, (Vih-DAY), using a Zoom lens from the opposite shore. Even if I had wanted to squeeze in a short ferry ride, the captain was done for the day. This was as close as I was going to get. The mountain in the background is Esja(EsYA), also across a channel from Videy.

I did squeeze in a Volcano Express, virtual reality ride, at Harpa Performance Center. Here is a look at the Center. The ride? Trust me, there was a “whole lotta shakin’ goin’ on”, and we were all strapped in.

Harpa Performance Center, Reykjavik

My overall image of Reykjavik and its residents is summed up by this master work of a graffiti artist who immigrated here about five years ago.

Icelanders, old and new, are thriving by learning to live with the volatile nature of their island home, and putting it to use. (Thermal energy heats homes and purifies water).