The 2018 Road, Day 22: No Greater Heights Than This

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June 16, 2018, Philadelphia-

It doesn’t surprise me, in the least, that this family of mine has given my mother’s youngest grandchild a spectacular launch into her own little family unit.  She is much loved, across the board and has maintained a solid, unifying presence among us, and well before the advent of social media. B helped me with her aunt, when I had to get Beloved to a restroom, down a freight elevator, and through an obscure section of an old hotel, years ago. She maintained contact with those of my nephews who were off, alone, at colleges that were some distance from the rest of the family.  She kept in touch with my son, when it would have been easy to leave him to his own devices, in the days of his naval  basic training and early regular duty.

So, we all came to Christ Church, expanding our family by one new grandson-in-law and one future granddaughter-in-law for our blessed matriarch to cherish.

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The above should give readers a frame of reference.  We were asked, by the rector, to not photograph the ceremony or the inside.  The newlyweds have plenty of photos to share, in that respect, and I leave it at that.

The ceremony did not start, however, until 4 P.M., so there was time for me to look further around the Independence Historic District, before Aram and YH were ready to meet for lunch.  Here is Congress Hall, where the Federal legislative branch met from December, 1790- May, 1800. .

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The Main Gallery of Independence Hall is below.

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Next along my walk was the Liberty Bell Pavilion, of which more tomorrow.SAMSUNG CAMERA PICTURES

Here is Old City Hall, which also served as the first U.S. Supreme Court Chamber.

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Below is the Second Bank of the United States Portrait Gallery.

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Here is a view into the Independence Hall courtyard.

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Having to meet Aram and YH, I hurried on over to the Center for Art in Wood.  They were suitably impressed by the gallery and by its shop.

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The three of us enjoyed a nice lunch at Cafe Ole, across the street from CAIW.  We then strolled around Betsy Ross House and briefly considered purchasing a 13-star flag.

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For now, though, this shadowy replica of the original Stars and Stripes will suffice.

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We will keep the wedding photos within the family, but I do want to share a few of the reception venue:  Knowlton Mansion.  Once again, the staff did their parts admirably, as did the band and vocalist.  As for me, I cut loose and danced more this evening than I have in about eighteen years.

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I do wish to share the intact wedding cake- always an affirmation of  good fortune and fertility.  The first, I wish for the new branch of the family.  The second is their business, alone.

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In any event, this day will long live as among the most beautiful with which I have had the pleasure of being involved- in at least seven years.

NEXT:  Father’s Day, Full Tilt

The Art of Durability

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July 19, 2017, Philadelphia- 

Whilst waiting for some family members to meet me at downtown Philadelphia’s Cafe Ole,

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A brief walk showed that this belonged to a museum and art gallery, the Center for Art in Wood.  I spent about an hour, in the astonishing museum, which showcases both the traditional plank art of northern Europe and several contemporary pieces, from around the globe.  Several variations use the root word, Mangle, meaning cut, as their base.  Below, is a Danish piece, called a manglebraette.

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Bear with me, I am taking the liberty of interspersing the traditional ware with contemporary pieces.  This one, by an American, Michael Scarborough, celebrates Buddhism.

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Australian artist, Ashley Eriksmoen, presents this Judeo-Christian piece.

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Who wants a wooden sheep?

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These Icelandic pieces are examples of that nation’s trafakefli traditional craft.

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Sweden’s variation is known as mangelbraden.

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Norway’s woodcraft, mangletraer, is displayed at the front of the exhibit.  Some pieces are in glass cases.

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Finland adopted the art form, as well, and is the easternmost country in which the mangleplank tradition took root.  Its form is called kaulauslandet.

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Surprisingly, it is the Netherlands which is credited with originating the art form.  Merchants of the Hanseatic League spread it to the Nordic lands.  The Dutch form is called mangelplanken.

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The variety, in both styles and uses, of woodcraft could capture one’s interest for hours, I think.

Here are a couple of other contemporary pieces.

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I will definitely be back here, next summer, at the very least as a customer-for one of the gallery shop’s more utilitarian pieces, while learning more about plank art.  I, who whittled as a child, could possibly fashion something of use, one of these fine days.